Worktops in Holland Park

Yes. Holland Park is on the patch, and the postcodes we work here are W11, W14. It is worked on our west London run, along with the rest of Kensington and Chelsea. The distance from the standing to the actual kitchen door is the number that counts, since plenty of drives finish at a side gate and a garden path. Whatever the standing allows, the stone leaves that van finished, because every edge, cut-out and internal radius is machined at the works and none of it is open to reconsideration at the kerb. A sealer needs a dry face and a quiet hour after it. Your part of it happens entirely at home, with nothing to travel to and nothing to bring back.

A basement is often reached by its own door under the front steps, and that door is smaller than anything else on the route. Alcoves either side of the old breast chop the run into short lengths, and a kitchen made of short lengths is the case where buying a slab outright beats buying the square metres, because the remainder is paid for in both. A tall room carries a thick edge; a low one does not. A room can be out of square in both directions at once, so the wall that leans is also the wall that runs downhill, and one scribe cannot answer both. A hob dropped into the middle of a length puts sustained warmth at the lip of a cut-out, and an engineered surface will yellow there across ten years where a natural one takes it without comment. A dark plain face shows every made-good line on the run.

A walk-up with winders at every half-landing means the piece is rested and re-gripped on the way, so the crew size goes up before the piece size comes down. That caps the longest piece, and a run split into two lengths nests differently on the slab, which moves the yield and moves the figure with it. Yield drops the moment the building dictates awkward lengths. Deep gravel takes the wheels of a loaded trolley and holds them, so either boards go down or the pieces are carried. A granite kitchen ends its day with a sealer, and a sealer wants a dry face and a quiet hour afterwards, so that hour is written into the day rather than borrowed from it. Wet stone reads darker, which is why colour is judged indoors.

No, not particularly, and it would be easy to say otherwise. What the research on this patch actually lists is worktop fabrication and worktop installation. That is the local housing talking rather than anything about the job. It is priced, cut and fitted no differently here than anywhere else we cover. Extension kitchens are usually specified long before they are buildable, so the run lengths on the drawing and the run lengths in the room are different numbers. Where several kitchens are ordered together the sensible move is to take them all off one batch, because two slabs of the same name bought six months apart will not sit happily in the same building. The cheapest stone we fit is sintered, and it is still stone. Extension work runs late far more often than it runs early, and the worktop is close to the last thing in, so the date agreed at the start is rarely the date that happens. Volume work tends to live at the entry end of the range, and the entry end is genuine stone rather than a compromise, since the lowest supply figure we quote is a sintered surface and not a thin laminate pretending to be one. Batch matching is the only honest way to match a surface.

A downdraught extractor takes a long slot out of the middle of the piece and a motor housing out of the cabinet below it, so what sits under the top is settled before anything is cut. An island is the piece that decides whether one slab covers the kitchen or two, and a second slab arrives as a step in the figure rather than a gentle slope. One slab or two is the biggest single jump in any quotation. The stone is £110 to £550 per square metre supply only, and templating, fabrication and fitting are quoted separately.

Plaster thickness varies over the height of a wall, so the line at worktop height is not the line at skirting level, and the units decide which one matters. A run that sits under strong sun for hours every afternoon suits a surface built to be stable in daylight, because a resin-bound stone is made for indoor use and sustained sunlight is the one thing it was never designed around. Internal corners are cut with a radius because square ones crack. Send the run lengths, say where the sink and hob will sit, and tell us which way the room faces and what lighting is going in above the working run. The same building type can arrive as a careful one-off kitchen or as a fast turnaround, and the honest answer is that they are priced differently. That changes which questions are worth asking about the stone, because somebody staying put wants to know how a honed face marks in five years and somebody selling wants to know how it photographs next spring. Stone is a fixture and outlasts the agreement over the room.

Thickness has to be known before quoting, since it decides the edge, the cut-outs and what the units carry. Supply through us runs £110 to £550 per square metre for the slab alone, which is the line you would be removing. Delivery to the workshop has to be arranged and dated, since nothing is nested until it is there. Where a family has been living around a building site for months, the finish date carries more weight than any other part of the specification. Adding an island is what moves most of these projects from one slab to two, and that jump is the single largest step in any worktop quotation. The material is guaranteed for twenty five years, so choose once.

Granite is porous to varying degrees, so it is sealed when we fit it and topped up over the life of the worktop. Marble is the one people underestimate. It is porous, like granite, and wants sealing. Day to day all three want soap and water; abrasive creams and scouring pads are what dull a polished surface. Georgian houses put the kitchen in a basement or a rear closet wing, and the stairs down to it are the tightest part of the whole route. Rooms in these houses run long and narrow with the only honest daylight at the garden end, so a pale honed surface does more for the working half of the kitchen than any colour with depth in it. Honed hides the dust an older house makes all year.

An external stair, a side return or a rear garden counts as carry and is measured the same way. Splitting a run costs a join, and that is the price of getting stone into the room at all. Doorways, the newel post and the handrail usually take the room away, rather than the stairs themselves. Communal stairs get boarded and the handrail padded, and we walk the route with a tape before the first piece leaves the van. Where a seam becomes unavoidable the choice of stone starts to matter, because a fine even speckle closes a joint almost invisibly and a broad vein simply will not. Where a break is unavoidable it goes into the quietest part of the pattern.

Both are templated after the worktop is down and settled, because they are cut to the wall itself. What decides between them is usually the wall: what it is built of, how flat it is, and where the sockets ended up. The joint between splashback and worktop is siliconed, never grouted, so it can move a little without cracking. Walls are thick, lime-plastered and built in a soft brick, so they take a scribe well and take a fixing badly. The alcoves either side of a breast break the run into short pieces, and short pieces are exactly where buying a full slab outright starts to beat buying stone by the metre. Seen from both sides, the figure has to run continuously.